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Angelica Mesiti


Do you know the Australian video artist Angela Mesiti? NGA Canberra is showing her critically adored recent work till March 2018. I wish I could go.I have not seen her work in person. As an alternative, albeit a poor one, Mesiti's vimeo page is a fantastic, much visited repository. Hers is the trap of current that nudges me afloat on bleak, empty days and I see many parallels between my wobbly explorations and  her  accomplished oeuvre on non-linguistic communications.

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The turban trap

There is quite a bit of traffic on the road. And as usual there is no place anywhere to park. Large letters in Roman and Gurmukhi script in the front of a slightly rundown white building tells me I have arrived.   Apart from a few cars  the place is quite empty.  Gurudwara Guru Nanak Darbar of Ballsbridge is a large standalone building in a quiet gentrified surburb of Dublin. The usual pungent yellow and navy  marks its gates and its facade, superimposed with the sikh emblem. A triangular  flag is being tugged hard by the sudden gushes of autumnal wind. I make my way into the temple through its large wooden doors having first removed my shoes.  I have come to talk to the gurudwara priests about the sikh turban. My journey with the turban has spanned 5 years and is an integral part of my art practice. The turban and the south Indian kavadi makes up the part of my research on god-prosthesis. My starting point is the ubiquitous believe that normal senses and capacities are never enough

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